They walked far, to the southwest corner of the great Gardens, where, by the old round pond and the old red palace, when she had put out her hand to him in farewell, declaring that from the gate she must positively take a conveyance, it seemed suddenly to rise between them that this was a real separation. She was on his mother's side, she belonged to his mother's life, and his mother, in the future, would never come to Poynton. After what had passed she wouldn't even be at his wedding, and it was not possible now that Mrs. Gereth should mention that ceremony to the girl, much less express a wish that the girl should be present at it. Mona, from decorum and with reference less to the bridegroom than to the bridegroom's mother, would of course not invite any such girl as Fleda. Everything therefore was ended; they would go their different ways; this was the last time they would stand face to face. They looked at each other with the fuller sense of it and, on Owen's part, with an expression of dumb trouble, the intensification of his usual appeal to any interlocutor to add the right thing to what he said. To Fleda, at this moment, it appeared that the right thing might easily be the wrong. He only said, at any rate: "I want you to understand, you know—I want you to understand." "You've diverged uncommonly far!"—Owen laughed back. Fleda, with her hideous crockery and her father's collections, could conceive that these objects, to her visitor's perception even more strongly than to her own, measured the length of the swing from Poynton and Ricks; she was aware too that her high standards figured vividly enough even to Owen's simplicity to make him reflect that West Kensington was a tremendous fall. If she had fallen it was because she had acted for him. She was all the more content he should thus see she had acted, as the cost of it, in his eyes, was none of her own showing. "What seems to have happened," he exclaimed, "is that you've had a row with her and yet not moved her!"!

He paused so long for a reply that Fleda said: "I don't think I know what you mean by a set-to." "Neither do I, as yet. I must think—I must pray!" the girl pursued, smiling. "I can only say to you that I'll try. I want to try, you know—I want to help you." He stood looking at her so long on this that she added with much distinctness: "So you must leave me, please, quite alone with her. You must go straight back."

Fleda turned pale, but she faced her companion and smiled. "You confound, Mrs. Gereth, you mix things up. You've only had it from my own mouth that I care for him!" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "What alarm should there have been? Owen left me almost defiantly alone: I had taken a time that I had reason to believe was safe from a descent." Fleda had another wonder, which she hesitated to express: it would scarcely do to ask Mrs. Gereth if she hadn't stood in fear of her servants. She knew, moreover, some of the secrets of her humorous household rule, all made up of shocks to shyness and provocations to curiosity—a diplomacy so artful that several of the maids quite yearned to accompany her to Ricks. Mrs. Gereth, reading sharply the whole of her visitor's thought, caught it up with fine frankness. "You mean that I was watched—that he had his myrmidons, pledged to wire him if they should see what I was 'up to'? Precisely. I know the three persons you have in mind: I had them in mind myself. Well, I took a line with them—I settled them."