“Get off that board,” he said. “Chuck it away at once. Look at the way you’re trying to ride it. If ever the nose of that board hits bottom, you’ll be disembowelled. Here, take my board. It’s a man’s size.” “But suppose this: your cabin-boy could run your engine, could repair it when out of order. Suppose he could take his turn at the wheel, could do any carpenter or machinist work. Suppose he is strong, healthy, and willing to work. Would you not rather have him than a kid that gets seasick and can’t do anything but wash dishes?” It was letters of this sort that I hated to decline. The writer of it, self-taught in English, had been only two years in the United States, and, as he said, “I am not wishing to go with you to earn my living, but I wish to learn and see.” At the time of writing to me he was a designer for one of the big motor manufacturing companies; he had been to sea quite a bit, and had been used all his life to the handling of small boats.!

I gave a pull. Ye gods! The tooth was loose! Out it came on the instant. I was jubilant as I held it aloft in the forceps. And in the end we sailed away, on Tuesday morning, April 23, 1907. We started rather lame, I confess. We had to hoist anchor by hand, because the power transmission was a wreck. Also, what remained of our seventy-horse-power engine was lashed down for ballast on the bottom of the Snark. But what of such things? They could be fixed in Honolulu, and in the meantime think of the magnificent rest of the boat! It is true, the engine in the launch wouldn’t run, and the life-boat leaked like a sieve; but then they weren’t the Snark; they were mere appurtenances. The things that counted were the water-tight bulkheads, the solid planking without butts, the bath-room devices—they were the Snark. And then there was, greatest of all, that noble, wind-punching bow.

It is told that long ago, one Maui, the son of Hina, lived on what is now known as West Maui. His mother, Hina, employed her time in the making of kapas. She must have made them at night, for her days were occupied in trying to dry the kapas. Each morning, and all morning, she toiled at spreading them out in the sun. But no sooner were they out, than she began taking them in, in order to have them all under shelter for the night. For know that the days were shorter then than now. Maui watched his mother’s futile toil and felt sorry for her. He decided to do something—oh, no, not to help her hang out and take in the kapas. He was too clever for that. His idea was to make the sun go slower. Perhaps he was the first Hawaiian astronomer. At any rate, he took a series of observations of the sun from various parts of the island. His conclusion was that the sun’s path was directly across Haleakala. Unlike Joshua, he stood in no need of divine assistance. He gathered a huge quantity of coconuts, from the fibre of which he braided a stout cord, and in one end of which he made a noose, even as the cow-boys of Haleakala do to this day. Next he climbed into the House of the Sun and laid in wait. When the sun came tearing along the path, bent on completing its journey in the shortest time possible, the valiant youth threw his lariat around one of the sun’s largest and strongest beams. He made the sun slow down some; also, he broke the beam short off. And he kept on roping and breaking off beams till the sun said it was willing to listen to reason. Maui set forth his terms of peace, which the sun accepted, agreeing to go more slowly thereafter. Wherefore Hina had ample time in which to dry her kapas, and the days are longer than they used to be, which last is quite in accord with the teachings of modern astronomy. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. And so, singing, dancing, paddling, these joyous Polynesians took us to the fishing. The gendarme, who is the French ruler of Bora Bora, accompanied us with his family in a double canoe of his own, paddled by his prisoners; for not only is he gendarme and ruler, but he is jailer as well, and in this jolly land when anybody goes fishing, all go fishing. A score of single canoes, with outriggers, paddled along with us. Around a point a big sailing-canoe appeared, running beautifully before the wind as it bore down to greet us. Balancing precariously on the outrigger, three young men saluted us with a wild rolling of drums.