"If he shouldn't be there," Fleda interrupted, "there will be no harm done." "So that of course she misses them."!

Fleda by this time knew in what way she was affected: she became limp and weak again; she felt herself give everything up. Mixed with the horror, with the kindness of the station-master, with the smell of cinders and the riot of sound, was the raw bitterness of a hope that she might never again in life have to give up so much at such short notice. She heard herself repeat mechanically, yet as if asking it for the first time: "Poynton's gone?" "Of course I must," said Owen—"of course, of course." But he took no more advantage of the open door than to say: "You want me to be off, and I'm off in a minute. Only, before I go, please answer me a question. If you should leave my mother, where would you go?"

Her heart failed her, after Owen had returned to London, with the ugliness of this duty—with the ugliness, indeed, of the whole close conflict. She saw nothing of Mrs. Gereth that day; she spent it in roaming with sick sighs, in feeling, as she passed from room to room, that what was expected of her companion was really dreadful. It would have been better never to have had such a place than to have had it and lose it. It was odious to her to have to look for solutions: what a strange relation between mother and son when there was no fundamental tenderness out of which a solution would irrepressibly spring! Was it Owen who was mainly responsible for that poverty? Fleda couldn't think so when she remembered that, so far as he was concerned, Mrs. Gereth would still have been welcome to have her seat by the Poynton fire. The fact that from the moment one accepted his marrying one saw no very different course for Owen to take made her all the rest of that aching day find her best relief in the mercy of not having yet to face her hostess. She dodged and dreamed and romanced away the time; instead of inventing a remedy or a compromise, instead of preparing a plan by which a scandal might be averted, she gave herself, in her sentient solitude, up to a mere fairy tale, up to the very taste of the beautiful peace with which she would have filled the air if only something might have been that could never have been. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.