Every day and every day this unending battle goes on. Ukiukiu is the name of the trade-wind that comes raging down out of the north-east and hurls itself upon Haleakala. Now Haleakala is so bulky and tall that it turns the north-east trade-wind aside on either hand, so that in the lee of Haleakala no trade-wind blows at all. On the contrary, the wind blows in the counter direction, in the teeth of the north-east trade. This wind is called Naulu. And day and night and always Ukiukiu and Naulu strive with each other, advancing, retreating, flanking, curving, curling, and turning and twisting, the conflict made visible by the cloud-masses plucked from the heavens and hurled back and forth in squadrons, battalions, armies, and great mountain ranges. Once in a while, Ukiukiu, in mighty gusts, flings immense cloud-masses clear over the summit of Haleakala; whereupon Naulu craftily captures them, lines them up in new battle-formation, and with them smites back at his ancient and eternal antagonist. Then Ukiukiu sends a great cloud-army around the eastern-side of the mountain. It is a flanking movement, well executed. But Naulu, from his lair on the leeward side, gathers the flanking army in, pulling and twisting and dragging it, hammering it into shape, and sends it charging back against Ukiukiu around the western side of the mountain. And all the while, above and below the main battle-field, high up the slopes toward the sea, Ukiukiu and Naulu are continually sending out little wisps of cloud, in ragged skirmish line, that creep and crawl over the ground, among the trees and through the canyons, and that spring upon and capture one another in sudden ambuscades and sorties. And sometimes Ukiukiu or Naulu, abruptly sending out a heavy charging column, captures the ragged little skirmishers or drives them skyward, turning over and over, in vertical whirls, thousands of feet in the air. “Come on for a sail,” I called below to Charmian. “But put on your swimming suit. It’s going to be wet.”!

“Greenwich time best, longitude west,” chants my logical mind; “and you must grant that twenty hours and twenty-five minutes is better than eight hours and nine minutes.” “Yet to-day is yesterday,” urges my logical mind.

On the platform Tehei and Bihaura danced, accompanied by songs and choruses or by rhythmic hand-clappings. At other times a musical knocking of the paddles against the sides of the canoes marked the accent. A young girl dropped her paddle, leaped to the platform, and danced a hula, in the midst of which, still dancing, she swayed and bent, and imprinted on our cheeks the kiss of welcome. Some of the songs, or himines, were religious, and they were especially beautiful, the deep basses of the men mingling with the altos and thin sopranos of the women and forming a combination of sound that irresistibly reminded one of an organ. In fact, “kanaka organ” is the scoffer’s description of the himine. On the other hand, some of the chants or ballads were very barbaric, having come down from pre-Christian times. A cough, continual fever, oppressive breathing and spots on her cheeks indicated some serious trouble. Monsieur Popart had advised a sojourn in Provence. Madame Aubain decided that they would go, and she would have had her daughter come home at once, had it not been for the climate of Pont-l’Eveque. The Snark is a small boat. When I figured seven thousand dollars as her generous cost, I was both generous and correct. I have built barns and houses, and I know the peculiar trait such things have of running past their estimated cost. This knowledge was mine, was already mine, when I estimated the probable cost of the building of the Snark at seven thousand dollars. Well, she cost thirty thousand. Now don’t ask me, please. It is the truth. I signed the cheques and I raised the money. Of course there is no explaining it, inconceivable and monstrous is what it is, as you will agree, I know, ere my tale is done.