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"Umph! I'm not so green as I look. I know whose they be. They're Ann's.",

"But, Billy, the wind! You'd better not go.",

"You'll find onions and savory hangin' to the rafters upstairs," suggested her father as he carried the ducks outside.,

Wilson's exclamation of surprise was checked by Cobin Keeler, whose long arm reached out and encircled him. He was lifted bodily into the seat and the buckboard dashed on up the road, the clatter of its loose spokes drowning the loud voices of its occupants.

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"I'll keep him away from you so long as you keep away from us, an' hold a close tongue in your head," Billy promised. "Understan', though, it's goin' to be a mighty hard thing to do; I saw him trying the bark of that elm jest under our winder only this mornin'. He's likely aimin' to shin up that tree an' fall on your face, most any night, so if you want your eyes an' your life you'd better do what I say.",

"No, I didn't. Joe had left for Bridgetown to bring in a couple of duck-hunters to old man Swanson's. Clevelanders, they are, so I didn't see him.",

Lucy first of all spent three-quarters of an hour in drawing. She was a charming picture as she sat in the library bending over her board; her eyes dwelt in their beauty of lids and heavy lashes, sometimes with a little fire of pleasure, sometimes with a little life of impatience, upon the motions of her pencil[Pg 84] and its results, and perhaps not always did she think of what she was about, for now and again the pencil would stand idle in her hand, the natural glow of her cheek would slightly deepen as to some visitation of moving thought; her eyes would lift in languor from her work to the open window, upon the bit of landscape which it framed, beautiful with the small darts, and curves, and lights of springtime in the trees, they appeared to brood in contemplation from which she broke sometimes with a faint smile, sometimes with an expression upon her sweet lips which found a deeper loveliness for her naturally pensive look.,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.