“Madge has fallen in love with him, and her judgment is not to be relied upon,” he said. “I suppose you couldn’t answer a straight question, if you tried.” It was Carleton of the Daily Dispatch group who had first divined her possibilities. With a swift glance on his way through, he had picked her out from a line of depressed-looking men and women ranged against the wall of the dark entrance passage; and with a snap of his fingers had beckoned to her to follow him. Striding in front of her up to his room, he had pointed to a chair and had left her sitting there for three-quarters of an hour, while he held discussion with a stream of subordinates, managers and editors of departments, who entered and departed one after another, evidently in pre-arranged order. All of them spoke rapidly, without ever digressing by a single word from the point, giving her the impression of their speeches having been rehearsed beforehand.!

She patted Joan’s hand and spoke gravely. “That is right, dear. That is youth’s métier; to take the banner from our failing hands, bear it still a little onward.” Her small gloved hand closed on Joan’s with a pressure that made Joan wince. “I do not think we women have the right to discuss war,” she confided to Joan in her gentle, high-bred voice. “I suppose you think that out of date. I should have thought so myself forty years ago. We talk of ‘giving’ our sons and lovers, as if they were ours to give. It makes me a little angry when I hear pampered women speak like that. It is the men who have to suffer and die. It is for them to decide.”

He bent forward so that he could see into her eyes. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. She took from among the litter a faded photograph and handed it to Joan. “Odd,” she said. “I’ve just turned it out.”