Mary joined them, and went straight to Miss Ensor’s bag and opened it. She shook her head at the contents, which consisted of a small, flabby-looking meat pie in a tin dish, and two pale, flat mince tarts. Joan found herself poking the fire. “Have you known Mary Stopperton long?” she asked.!

“Yes,” he answered, laughing. “We are going to say to the people, ‘Eat, drink and be wise.’” Miss Tolley appeared to be getting muddled. “Whose boy?” she demanded.

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “Yes,” he answered. “All those who have no use for them. About one per cent. of the population. To listen to Miss Tolley you would think that half the women wanted a new husband every ten years. It’s always the one per cent. that get themselves talked about. The other ninety-nine are too busy.” A dark, black-bearded man raised himself painfully upon his elbow. He was a tailor in the Rue Parnesse, and prided himself on a decided resemblance to Victor Hugo.