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"It was the last line," says Mona, in explanation, clearly ashamed of herself, yet unable wholly to subdue her merriment. "It reminded me so much of that speech about tea, that they always use at temperance meetings; they call it the beverage 'that cheers but not inebriates.' You said 'that warms but not illumines,' and it sounded exactly like it. Don't you see!" They have reached the farm again by this time, and Geoffrey, taking up the guns he had left behind the hall door,—or what old Scully is pleased to call the front door in contradistinction to the back door, through which he is in the habit of making his exits and entrances,—holds out his hand to bid her good-by. "I hardly think our dance is ended yet, Mrs. Rodney," says the Australian, defiantly, coming leisurely forward, his eyes bent somewhat insolently upon Geoffrey..
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At this the laughter grows universal, Geoffrey and Nicholas positively distinguishing themselves in this line, when just at the very height of their mirth the door opens, and Violet enters, followed by Captain Rodney. "A pretty name, too." And now Mona knows no more nervousness, but with a steady and practised hand binds up his arm, and when all is finished pushes him gently (very gently) from her, and "with heart on her lips, and soul within her eyes," surveys with pride her handiwork. Presently he came to another lodge, and the man who owned it came out and spoke to him, asking where he was going. The young man said, "I am looking for my dead wife. I mourn for her so much that I cannot rest. My little boy too keeps crying for his mother. They have offered to give me other wives, but I do not want them. I want the one for whom I am searching.".
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