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A liberal application of shoe paste furnished the unfortunate victim with a startling pair of jet-black eyebrows, nearly an inch in depth. Appalled at what he saw, Moses drew from his pocket a grimy handkerchief. Dampening one corner of it in his mouth, the most expeditious thing to do under the circumstances, he carefully wiped around the outside of these funereal bands, reducing them slightly in size but also straightening their edges. “Yes, go away, Billy; I’m not afraid.” May Nell laughed happily. Her quick mind was delighted with the masquerading. “Fer the love o’ Mike, kid, how did you git here?” said Moses, rousing the small sleeper. “Gosh, but yer face needs warshin’.”.

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As Betty Wopp and Maria Mifsud, each holding a hand of St. Elmo, left the church, they were highly entertained by that small boy’s account of a “man named Jonah who had swallowed a dwate big fish called a whale.” Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother. “Anyhow, Mar, that fust punkin pie Par got was a howlin’ success.” The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous..