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"I want you to do something for my sake." "I mean she seems a trifle cold, unfriendly, and—er—that," says Geoffrey. "Perhaps it would be a wise thing for you to make up your mind what you will say to her on first meeting her. She will come up to you, you know, and give you her hand like this," taking hers, "and——" "Mona! what are you going to say to me?".

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He hesitates. He is tired, and hungry too; there is no denying. Even as he hesitates, a girl coming out to the door-step puts her hand over her eyes, and shouts pleasantly from afar to her mistress,— "I mean that she shall remain just as she is. The world may be 'given to lying,' as Shakspeare tells us, but I will not have Mona tutored into telling fashionable falsehoods," says this intrepid young man facing his mother without a qualm of a passing dread. "A lie of any sort is base, and a prevarication is only a mean lie. She is truthful, let her stay so. Why should she learn it is the correct thing to say she is not at home when she is, or that she is suffering from a foolish megrim when she isn't? I don't suppose there is much harm in saying either of these things, as nobody ever believes them; but—let her remain as she is." "Good-by, my—my beloved—cousin," he says, in a choked voice. I think the last word is an afterthought. He is tearing himself from all he holds most sacred upon earth, and the strain is terrible. He moves resolutely a a few yards away from her, as though determined to put space between him and her; yet then he pauses, and, as though powerless to withdraw from her presence, returns again, and, flinging himself on his knees before her, presses a fold of her gown to his lips with passionate despair. "Very. But for myself I have no voice worth hearing. I sing, you know, a little, which is my misfortune, not my fault; don't you think so?".