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“Oh, aint it beaut-i-ful?” admired Betty. The creation which she admired so immensely was made of pieces of silk of many colors and was reminiscent of numerous long-defunct waists, ribbons, neckties, hats and, perhaps, even a few wedding gowns which had travelled from several corners of the globe to be welded together in this glorious finale. The pieces, irregular in shape, had been sewn together and the seams beautified by feather-stitching. On the majority of the patches were names worked in red, green or yellow, whichever color contrasted most suitably with the background. Here, for the nominal sum of ten cents, names which might otherwise have fallen into oblivion were destined to live and bloom for incalculable years. The quilt now nearing completion would, when finished by its energetic creators, be sold at auction and it was expected to bring a handsome sum. The money so realized would revive the drooping finances of the Ladies’ Aid. “Ebenezer Wopp, no wonder you talk sich ridicilsome nonsense in yer sleep, eatin’ cheese at night. It’s ’nough to make you dream of boer-constructors.” “Sharpen these pencils, Moses, please, for the drawing lesson.”.

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“No, no, dear. Keep them, an’ I’ll put them in warter when we go to the house,” begged Betty. “The fairies are orful cross when they see dead flowers lyin’ round. Mebbe they might be too angry to come in the garding again ever.” Al Newman arranged all the theatre parties for his wife and guests. He opened up the piano as he spoke and turned to the musician. “To be shore you kin,” was the reply, “but don’t hurry too much an’ smarsh the crockery.” “How do you know?”.