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"Why, Mona?" As she comes to the gravel walk that leads from the shrubberies to the sweep before the hall door, she encounters the disgraced Ridgway, doing something or other to one of the shrubs that has come to grief during the late bad weather. "Who is uttering seditious language now?" asks he, reproachfully. "No, you wrong me. I had, indeed, forgotten for the moment all about that unfortunate driver. You must remember I am a stranger here. The peasants are unknown to me. I cannot be expected to feel a keen interest in each one individually. In fact, had Mr. Moore been killed instead of poor Maloney, I shouldn't have felt it a bit the more, though he was the master and the other the man. I can only suffer with those I know and love.".

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"Do not stir," says Mona, hastily, pointing to the bloodhounds. Allspice has risen—so has the hair on his back—and is looking thunder-claps at Paul. A low growl breaks from him. He is plainly bent upon reducing to reason whosoever shall dispute the will of his beloved mistress. "The dogs know their orders, and will obey me. Down, Allspice, down. You will do well, sir, to remain exactly where you are," continues Mona. "Give me your hand again," says Rodney, after a pause; and when she gives it to him he says, "Do you know this is the nearest approach to real happiness I have ever known in all my careless, useless life? What is it Shakspeare says about the folly of loving 'a bright particular star'? I always think of you when that line comes to my mind. You are the star; mine is the folly." "No," replied the old man, "but hurry and put the kettle on the fire." Early in the morning Kŭt-o-yĭs´ pushed the old man and said, "Come, get up now, and we will go down and kill, when the buffalo come out." It was still very early in the morning..