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"Now carry him over the bridge and put him down there, and he must go home, whether he likes it or not," goes on Mona to her warrior, whereupon that renowned person, armed with the shrieking turkey, crosses the bridge. Having gained the other side, he places the angry bird on its mother earth, and with a final and almost tender "Shoo!" sends him scuttling along to the farmyard in the distance, where, no doubt, he is received either with open arms and kisses, or with a sounding "spank," as our American cousins would say, by his terrified mamma.,

"That," said Napi, "is he who has hidden all the animals from the people. He has a wife and a little son." Then they went down near to the lodge and Napi told the young man what to do. Napi changed himself into a little dog, and he said, "This is I." The young man changed himself into a root digger and he said, "This is I." Pretty soon the little boy, who was playing about near the lodge, found the dog and carried it to his father, saying, "See what a pretty little dog I have found.",

For all this Lady Rodney is devoutly thankful. She is glad of the girl's absence. She has no desire to exhibit her, prejudice making Mona's few defects to look monstrous in her eyes. Yet these same defects might perhaps be counted on the fingers of one hand.,

When the man-eater had cooked him four times Kŭt-o-yĭs´ again went into the lodge, and seizing the man-eater, he threw him into the boiling kettle, and his wives and all his children, and boiled them to death.

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"There are landlords, at least; and very excellent shooting they are, if all accounts be true," says Geoffrey, with a grin,—"to say nothing of the partridge and grouse. Besides, it will be an experience; and a man should say 'how d'ye do?' to his tenants sometimes.",

"He is our landlord," says Mona, calmly, but with uplifted brows, stopping short in the middle of the road to regard him with astonishment.,

She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous.,

"In the National Gallery, do you mean?" asks Mona, with a pretty, puzzled frown on her brow. "Oh, no, Geoffrey; I shouldn't like that at all. To be stared at by everybody,—it wouldn't be nice, would it?"