“So I do,” Joan defended herself. “I’m in and out there till I’m sick of the hideous place. You haven’t seen the inside. And his wife knows all about it, and is only too glad.” “Doesn’t agree with you?” inquired Miss Ensor.!

“Just all the difference,” answered Greyson, “between Pooh Bah as Chancellor of the Exchequer, or Lord High Admiral, or Chief Executioner, whichever he preferred to be, and Pooh Bah as all the Officers of State rolled into one. Pooh Bah may be a very able statesman, entitled to exert his legitimate influence. But, after all, his opinion is only the opinion of one old gentleman, with possible prejudices and preconceived convictions. The Mikado—or the people, according to locality—would like to hear the views of others of his ministers. He finds that the Lord Chancellor and the Lord Chief Justice and the Groom of the Bedchamber and the Attorney-General—the whole entire Cabinet, in short, are unanimously of the same opinion as Pooh Bah. He doesn’t know it’s only Pooh Bah speaking from different corners of the stage. The consensus of opinion convinces him. One statesman, however eminent, might err in judgment. But half a score of statesmen, all of one mind! One must accept their verdict.” And then the pew-opener had stolen up unobserved, and had taken it so for granted that she would like to be shown round, and had seemed so pleased and eager, that she had not the heart to repel her. A curious little old party with a smooth, peach-like complexion and white soft hair that the fading twilight, stealing through the yellow glass, turned to gold. So that at first sight Joan took her for a child. The voice, too, was so absurdly childish—appealing, and yet confident. Not until they were crossing the aisle, where the clearer light streamed in through the open doors, did Joan see that she was very old and feeble, with about her figure that curious patient droop that comes to the work-worn. She proved to be most interesting and full of helpful information. Mary Stopperton was her name. She had lived in the neighbourhood all her life; had as a girl worked for the Leigh Hunts and had “assisted” Mrs. Carlyle. She had been very frightened of the great man himself, and had always hidden herself behind doors or squeezed herself into corners and stopped breathing whenever there had been any fear of meeting him upon the stairs. Until one day having darted into a cupboard to escape from him and drawn the door to after her, it turned out to be the cupboard in which Carlyle was used to keep his boots. So that there was quite a struggle between them; she holding grimly on to the door inside and Carlyle equally determined to open it and get his boots. It had ended in her exposure, with trembling knees and scarlet face, and Carlyle had addressed her as “woman,” and had insisted on knowing what she was doing there. And after that she had lost all terror of him. And he had even allowed her with a grim smile to enter occasionally the sacred study with her broom and pan. It had evidently made a lasting impression upon her, that privilege.

A figure was loitering the other side of the street when she reached home. She thought she somehow recognized it, and crossed over. It was McKean, smoking his everlasting pipe. Success having demanded some such change, he had migrated to “The Albany,” and she had not seen him for some time. He had come to have a last look at the house—in case it might happen to be the last. He was off to Scotland the next morning, where he intended to “join up.” “I’m just running round to the doctor’s,” she whispered. “His medicine hasn’t come. I shan’t be long.” “That’s the pity of it,” he said. “You’re wasting the most important thing about you, your personality. You would do more good in a drawing-room, influencing the rulers, than you will ever do hiding behind a pen. It was the drawing-room that made the French Revolution.”