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“But what is it that has come?” She retired early to her chamber; and her woman observing that she appeared much agitated, inquired if she was ill? To this she returned a short answer in the negative, and her woman was soon afterwards dismissed. But she had hardly shut the door of the room when she heard her lady's voice recalling her. She returned, and received some trifling order, and observed that Maria looked uncommonly pale; there was besides a wildness in her eyes which frightened her, but she did not dare to ask any questions. She again quitted the room, and had only reached the extremity of the gallery when her mistress's bell rang. She hastened back, Maria enquired if the marquis was gone to bed, and if all was quiet? Being answered in the affirmative, she replied, 'This is a still hour and a dark one!—Good night!' “Land’s sakes! Layin’ here naked, boy?”.
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The interest which these mysterious circumstances excited in the mind of Julia, had withdrawn her attention from a subject more dangerous to its peace. The image of Vereza, notwithstanding, would frequently intrude upon her fancy; and, awakening the recollection of happy emotions, would call forth a sigh which all her efforts could not suppress. She loved to indulge the melancholy of her heart in the solitude of the woods. One evening she took her lute to a favorite spot on the seashore, and resigning herself to a pleasing sadness, touched some sweet and plaintive airs. The purple flush of evening was diffused over the heavens. The sun, involved in clouds of splendid and innumerable hues, was setting o'er the distant waters, whose clear bosom glowed with rich reflection. The beauty of the scene, the soothing murmur of the high trees, waved by the light air which overshadowed her, and the soft shelling of the waves that flowed gently in upon the shores, insensibly sunk her mind into a state of repose. She touched the chords of her lute in sweet and wild melody, and sung the following ode: Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character. Ferdinand dreaded the effect of that despair, which the intelligence he had to communicate would produce in the mind of Hippolitus. He revolved some means of softening the dreadful truth; but Hippolitus, quick to apprehend the evil which love taught him to fear, seized at once upon the reality. 'Tell me all,' said he, in a tone of assumed firmness. 'I am prepared for the worst.' Ferdinand related the decree of the marquis, and Hippolitus soon sunk into an excess of grief which defied, as much as it required, the powers of alleviation. “Ugh! boy!” said Tellef..
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