When the time grew near, she ran to meet her lover. On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows.!

At first she lived in a constant anxiety that was caused by “the style of the household” and the memory of “Monsieur,” that hovered over everything. Paul and Virginia, the one aged seven, and the other barely four, seemed made of some precious material; she carried them pig-a-back, and was greatly mortified when Madame Aubain forbade her to kiss them every other minute. CHAPTER XII THE HIGH SEAT OF ABUNDANCE

She had put him on the grass to cool him and went away only for a second; when she returned, she found no parrot! She hunted among the bushes, on the bank of the river, and on the roofs, without paying any attention to Madame Aubain who screamed at her: “Take care! you must be insane!” Then she searched every garden in Pont-l’Eveque and stopped the passers-by to inquire of them: “Haven’t you perhaps seen my parrot?” To those who had never seen the parrot, she described him minutely. Suddenly she thought she saw something green fluttering behind the mills at the foot of the hill. But when she was at the top of the hill she could not see it. A hod-carrier told her that he had just seen the bird in Saint-Melaine, in Mother Simon’s store. She rushed to the place. The people did not know what she was talking about. At last she came home, exhausted, with her slippers worn to shreds, and despair in her heart. She sat down on the bench near Madame and was telling of her search when presently a light weight dropped on her shoulder—Loulou! What the deuce had he been doing? Perhaps he had just taken a little walk around the town! Virginia had congestion of the lungs; perhaps it was desperate. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car.