The three men lined up in front of the closed door, and one of the deputies quickly threw it open. For an instant the officers stood motionless with weapons drawn. Billy watched with fascinated eyes; the moment the door opened forgot orders, ran and crouched behind the Sheriff, peering under his uplifted arm. There in the lurid firelight that streamed through the closed window, stood the two men he had seen before, hands up, rigid, staring into pistol barrels. Floor boards were torn up; strange vessels, scales, various paraphernalia Billy could not understand, lay about them; while in a deep hole they had dug, a small, iron-bound chest was partially covered with earth. The men’s faces were smutched, streaming with perspiration, and pale with terror.,
Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.,
“He didn’t come roun’ here, I kin tell you though,” joined in Mrs. Wopp, energetically. In speaking of Mr. Zelamba, her voice modulated harshly into a key of hyper-acidulated sharps. “I says to Miss Gordon, an’ she jined in with me, a piannerist may be well ’nough as an actor man, but when it comes to takin’ fer keeps, give me a real man.” After taking a deep breath she continued, “My, but he makes a heap of money an’ he loves it, too; but when he gits to be about forty, the lines in his fiz’ll be as tight as my clothes-rope arter a spell of rain.”.
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