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"Get off now, my brother, get off," said the bear. "There is the camp of your people. I shall leave you"; and at once he turned and went off up the mountain. "As you evidently need support, I'll go with you as far as the stables," says Geoffrey, compassionately, and together they leave the room, keeping company until they gain the yard, when Geoffrey turns to the right and makes for the stables, leaving Nolly to wend his solitary way to the flowery orchard. At this moment Geoffrey comes into the room and up to Mona. He takes no notice whatever of her companion, "Mona, will you come and sing us something?" he says, as naturally as though the room is empty. "Nolly has been telling the duchess about your voice, and she wants to hear you. Anything simple, darling,"—seeing she looks a little distressed at the idea: "you sing that sort of thing best.".
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"Is—is he covered?" murmurs Mona, with difficulty, growing pale, and shrinking backwards. Instinctively she lays her hand on Rodney's arm, as though desirous of support. He, laying his own hand upon hers, holds it in a warm and comforting clasp. "To Rome," says Mona. "But do you mean it? Can you afford it? Italy seems so far away." Then, after a thoughtful silence, "Mr. Rodney——" She motions impatiently with her hand, and Geoffrey, being compelled to it by her vehemence, draws a high chair close to that part of the wall that seems to have claimed her greatest attention. But Mona will not be entreated; sweetly, but firmly, she declines to alter the sobriquet given her so long ago now. With much gentleness she tells Lady Rodney that she loves the name; that it is dearer to her than any other could ever be; that to be Mrs. Geoffrey is the utmost height of her very heighest ambition; and to change it now would only cause her pain and a vague sense of loss..
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