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"Oh." Billy took hold of his arm, "Then them snakes an' man-eatin' birds you've been seein' are your own business, too; an' since you've been ninny enough to stray into this shanty, I'm goin' to put you back in it an' see that you stay in it.", Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles., So Billy watched her passing like a ray of soft light across the valley and around the golden curve of the road. Then with his arms on the bridge-rail, his eyes gazing deep into the amber depths of the water, he lived anew every moment of her nearness, until the hoarse, joyful cry of a crow broke in on his reverie. Croaker, having grown lonely, had come down to meet him..