"I do, then." Mrs. Gereth looked hard at the floor. "There was no obligation at the time you saw him last—when you sent him, hating her as he did, back to her." It was easy indeed not to speak when the difficulty was to find words. He clasped his hands before her as he might have clasped them at an altar; his pressed palms shook together while he held his breath and while she stilled herself in the effort to come round again to the real and the right. He helped this effort, soothing her into a seat with a touch as light as if she had really been something sacred. She sank into a chair and he dropped before her on his knees; she fell back with closed eyes and he buried his face in her lap. There was no way to thank her but this act of prostration, which lasted, in silence, till she laid consenting hands on him, touched his head and stroked it, held it in her tenderness till he acknowledged his long density. He made the avowal seem only his—made her, when she rose again, raise him at last, softly, as if from the abasement of shame. If in each other's eyes now, however, they saw the truth, this truth, to Fleda, looked harder even than before—all the harder that when, at the very moment she recognized it, he murmured to her ecstatically, in fresh possession of her hands, which he drew up to his breast, holding them tight there with both his own: "I'm saved, I'm saved,—I am! I'm ready for anything. I have your word. Come!" he cried, as if from the sight of a response slower than he needed, and in the tone he so often had of a great boy at a great game.!

"Yes, that doesn't happen very often, does it?" Mrs. Brigstock looked round afresh at Fleda's home. "To act, to take means."

Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more. "Awfully, haven't we?" He spoke with the stupidity she didn't object to. Inarticulate as he was, he had more to say; he lingered perhaps because he was vaguely aware of the want of sincerity in her encouragement to him to go. "There's one thing, please," he mentioned, as if there might be a great many others too. "Please don't say anything about Mona." She stopped again before the bench, and an inspiration came to her. "I should think you would know," she said with proper dignity.