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"That night Maurice Keeler an' me went over to Gamble's an' borrowed his old ferret. He's a big ferret an' he'll tackle anythin', even a skunk. With some keg-hoops an' a canvas sack we had made what we needed to catch the weasels in. Then we put a muzzle on the ferret, so he couldn't fang-cut the weasels, an' we went over to Scraff's. As soon as Joe Scraff saw the ferret he began to see light an' turned into the house to get his shotgun. I told him to remember his promise to let me get the weasels alive, so he set on the fence an' watched while we got busy., He looked attentively at the seals, which were impressed with the Acton crest. He mused for a little while over this document manifestly thinking of other things. Though his brow was knit, his handsome face was a-work with thought. Under that knitted brow the expression of the idea in him came and went. There never could have been a finer study for an artist than this tall and elegant creature, slightly bowed, his beauty lighted up so to speak by the several colours of the moods which inspired him, and which seemed by the occasional movement of his lips to indicate the rehearsal of a passage that was to follow. With an impulse almost passionate as an effect of stern resolution he replaced the tin box, walked out of the berth,[Pg 248] and dangling a key which he had withdrawn from his pocket, stood listening for a few moments at the door of the berth which adjoined the one he had quitted., "Yes, sir, and then I saw her and reported her to you.".