Joan stopped and turned. “Did he send you?” she asked. Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.”!

“A tragedy,” Miss Tolley corrected him. “There are millions of such tragedies being enacted around us at this moment. Sensitive women compelled to suffer the embraces of men that they have come to loathe. What’s to be done?” The ticking of the little clock was filling the room. The thing seemed to have become alive—to be threatening to burst its heart. But the thin, delicate indicator moved on.

In the day-time, when Arthur and her father were at the works, she would move through the high, square, stiffly-furnished rooms, or about the great formal garden, with its ordered walks and level lawns. And as with knowledge we come to love some old, stern face our childish eyes had thought forbidding, and would not have it changed, there came to her with the years a growing fondness for the old, plain brick-built house. Generations of Allways had lived and died there: men and women somewhat narrow, unsympathetic, a little hard of understanding; but at least earnest, sincere, seeking to do their duty in their solid, unimaginative way. Perhaps there were other ways besides those of speech and pen. Perhaps one did better, keeping to one’s own people; the very qualities that separated us from them being intended for their need. What mattered the colours, so that one followed the flag? Somewhere, all roads would meet. It seemed to her that it was she that they were laughing at, pointing her out to one another, jeering at her, reviling her, threatening her. Joan bent down and kissed her. “Let’s try it,” she whispered.