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"Well; there isn't much, is there?" says Mona, pleasantly. There is both dignity and tenderness in her tone. She gazes at him earnestly for a moment, and then suddenly slips one arm round his neck. Then she, too, breaks down, and, going to him, deliberately lifts one of his arms and lays it round her neck; after which she places both hers gently round his, and so, having comfortably arranged herself, proceeds to indulge in a hearty burst of tears. This is, without exception, the very wisest course she could have taken, as it frightens the life out of Nicholas, and brings him to a more proper frame of mind in no time..
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"To the old fort?" asks Mona, starting to her feet. "Well for my part I hate people who sing a little. I always wish it was even less. I hold that they are a social nuisance, and ought to be put down by law. My eldest brother Nick sings really very well,—a charming tenor, you know, good enough to coax the birds off the bushes. He does all that sort of dilettante business,—paints, and reads tremendously about things dead and gone, that can't possibly advantage anybody. Understands old china as well as most people (which isn't saying much), and I think—but as yet this statement is unsupported—I think he writes poetry." "I do adore somebody," returns that ingenuous youth, staring openly at Mona, who is taking up the last stitch dropped by Lady Rodney in the little scarlet silk sock she is knitting for Phyllis Carrington's boy. The house, is home-like, sweet, and one which might perhaps day by day grow dearer to the heart; and this girl, this pretty creature who every now and then turns her eyes on Geoffrey, as though glad in a kindly fashion to see him there, seems a necessary part of the whole,—her gracious presence rendering it each moment sweeter and more desirable. "My precept to all who build is," says Cicero, "that the owner should be an ornament to the house, and not the house to the owner.".
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