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Mr. Wopp and Moses, who had hurried to the upper storey to escape the recital of the ketchup episode, now came heavily down the stairs, their task at last finished. As that energetic lady bustled about the kitchen the same evening setting the bread, her voice rose in a series of trills and other embellishments as she sang “Where is my wanderin’ boy to-night?” Was not May Nell safe? Almost recovered from her fright and hours of imprisonment? Was not the town ringing with her courage and quaint sayings? For she had told her story more than once; and when she came to the place where she said, “And I thought, ‘God can see me all the time; if He means for me to suffer awfully I must have an awful lot of courage; I must ask Him for it.’ So I did, and I said ‘Now I lay me,’ and lay down on the bed so I could hear God speak—you know you can hear better lying down—and I waited—”.
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“I must of looked like that Lize or the picter couldn’t of been took.” Ruefully he rubbed his bald crown. Now the dance was a two-step and Mrs. Wopp, who drew a hard and fast line at round dances, declaring they were instigated by the evil one, sat and looked on talking to Betty meanwhile. “The Lord loveth a cheerful liver, Moses,” said his mother encouragingly, as she saw the growing acidity of the boy’s countenance. Mrs. Wopp had never forgotten a certain missionary service, during which she had studied a text in gold lettering of old English type on the wall. The uncertain light of stained glass falling on the last word had made it difficult to read. But at last realizing that a sound liver and cheerfulness are closely associated, she had seen no incongruity in her translation of the text. “Oh, aint it beaut-i-ful?” admired Betty. The creation which she admired so immensely was made of pieces of silk of many colors and was reminiscent of numerous long-defunct waists, ribbons, neckties, hats and, perhaps, even a few wedding gowns which had travelled from several corners of the globe to be welded together in this glorious finale. The pieces, irregular in shape, had been sewn together and the seams beautified by feather-stitching. On the majority of the patches were names worked in red, green or yellow, whichever color contrasted most suitably with the background. Here, for the nominal sum of ten cents, names which might otherwise have fallen into oblivion were destined to live and bloom for incalculable years. The quilt now nearing completion would, when finished by its energetic creators, be sold at auction and it was expected to bring a handsome sum. The money so realized would revive the drooping finances of the Ladies’ Aid..
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