It was easy indeed not to speak when the difficulty was to find words. He clasped his hands before her as he might have clasped them at an altar; his pressed palms shook together while he held his breath and while she stilled herself in the effort to come round again to the real and the right. He helped this effort, soothing her into a seat with a touch as light as if she had really been something sacred. She sank into a chair and he dropped before her on his knees; she fell back with closed eyes and he buried his face in her lap. There was no way to thank her but this act of prostration, which lasted, in silence, till she laid consenting hands on him, touched his head and stroked it, held it in her tenderness till he acknowledged his long density. He made the avowal seem only his—made her, when she rose again, raise him at last, softly, as if from the abasement of shame. If in each other's eyes now, however, they saw the truth, this truth, to Fleda, looked harder even than before—all the harder that when, at the very moment she recognized it, he murmured to her ecstatically, in fresh possession of her hands, which he drew up to his breast, holding them tight there with both his own: "I'm saved, I'm saved,—I am! I'm ready for anything. I have your word. Come!" he cried, as if from the sight of a response slower than he needed, and in the tone he so often had of a great boy at a great game. All this was exciting, but Fleda's spirit dropped, at bedtime, in the chamber embellished for her pleasure, where she found several of the objects that in her earlier room she had most admired. These had been reinforced by other pieces from other rooms, so that the quiet air of it was a harmony without a break, the finished picture of a maiden's bower. It was the sweetest Louis Seize, all assorted and combined—old chastened, figured, faded France. Fleda was impressed anew with her friend's genius for composition. She could say to herself that no girl in England, that night, went to rest with so picked a guard; but there was no joy for her in her privilege, no sleep even for the tired hours that made the place, in the embers of the fire and the winter dawn, look gray, somehow, and loveless. She couldn't care for such things when they came to her in such ways; there was a wrong about them all that turned them to ugliness. In the watches of the night she saw Poynton dishonored; she had cared for it as a happy whole, she reasoned, and the parts of it now around her seemed to suffer like chopped limbs. Before going to bed she had walked about with Mrs. Gereth and seen at whose expense the whole house had been furnished. At poor Owen's, from top to bottom—there wasn't a chair he hadn't sat upon. The maiden aunt had been exterminated—no trace of her to tell her tale. Fleda tried to think of some of the things at Poynton still unappropriated, but her memory was a blank about them, and in trying to focus the old combinations she saw again nothing but gaps and scars, a vacancy that gathered at moments into something worse. This concrete image was her greatest trouble, for it was Owen Gereth's face, his sad, strange eyes, fixed upon her now as they had never been. They stared at her out of the darkness, and their expression was more than she could bear: it seemed to say that he was in pain and that it was somehow her fault. He had looked to her to help him, and this was what her help had been. He had done her the honor to ask her to exert herself in his interest, confiding to her a task of difficulty, but of the highest delicacy. Hadn't that been exactly the sort of service she longed to render him? Well, her way of rendering it had been simply to betray him and hand him over to his enemy. Shame, pity, resentment oppressed her in turn; in the last of these feelings the others were quickly submerged. Mrs. Gereth had imprisoned her in that torment of taste; but it was clear to her for an hour at least that she might hate Mrs. Gereth.!

"Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art." "Precisely. Yours."

This was more peremptory than any word her friend, though often speaking in her presence with much point, had ever yet directly addressed to her. It affected her like the crack of a whip, but she confined herself, with an effort, to taking it as a reminder that she must keep her head. "I know he has his engagement to carry out." Mrs. Brigstock, in the doorway, stood looking from one of the occupants of the room to the other; then they saw her eyes attach themselves to a small object that had lain hitherto unnoticed on the carpet. This was the biscuit of which, on giving Owen his tea, Fleda had taken a perfunctory nibble: she had immediately laid it on the table, and that subsequently, in some precipitate movement, she should have brushed it off was doubtless a sign of the agitation that possessed her. For Mrs. Brigstock there was apparently more in it than met the eye. Owen at any rate picked it up, and Fleda felt as if he were removing the traces of some scene that the newspapers would have characterized as lively. Mrs. Brigstock clearly took in also the sprawling tea-things and the mark as of high water in the full faces of her young friends. These elements made the little place a vivid picture of intimacy. A minute was filled by Fleda's relief at finding her visitor not to be Mrs. Gereth, and a longer space by the ensuing sense of what was really more compromising in the actual apparition. It dimly occurred to her that the lady of Ricks had also written to Waterbath. Not only had Mrs. Brigstock never paid her a call, but Fleda would have been unable to figure her so employed. A year before the girl had spent a day under her roof, but never feeling that Mrs. Brigstock regarded this as constituting a bond. She had never stayed in any house but Poynton where the imagination of a bond, one way or the other, prevailed. After the first astonishment she dashed gayly at her guest, emphasizing her welcome and wondering how her whereabouts had become known at Waterbath. Had not Mrs. Brigstock quitted that residence for the very purpose of laying her hand on the associate of Mrs. Gereth's misconduct? The spirit in which this hand was to be laid our young lady was yet to ascertain; but she was a person who could think ten thoughts at once—a circumstance which, even putting her present plight at its worst, gave her a great advantage over a person who required easy conditions for dealing even with one. The very vibration of the air, however, told her that whatever Mrs. Brigstock's spirit might originally have been, it had been sharply affected by the sight of Owen. He was essentially a surprise: she had reckoned with everything that concerned him but his presence. With that, in awkward silence, she was reckoning now, as Fleda could see, while she effected with friendly aid an embarrassed transit to the sofa. Owen would be useless, would be deplorable: that aspect of the case Fleda had taken in as well. Another aspect was that he would admire her, adore her, exactly in proportion as she herself should rise gracefully superior. Fleda felt for the first time free to let herself "go," as Mrs. Gereth had said, and she was full of the sense that to "go" meant now to aim straight at the effect of moving Owen to rapture at her simplicity and tact. It was her impression that he had no positive dislike of Mona's mother; but she couldn't entertain that notion without a glimpse of the implication that he had a positive dislike of Mrs. Brigstock's daughter. Mona's mother declined tea, declined a better seat, declined a cushion, declined to remove her boa: Fleda guessed that she had not come on purpose to be dry, but that the voice of the invaded room had itself given her the hint. "She doesn't look with her eyes; she looks with her ears. In her own way she had taken it in; she knew, she felt when it had been touched. That probably made her take an attitude that was extremely disagreeable. But the attitude lasted only while the reason for it lasted."