Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. “It’s quite easy,” said Joan, “with your beauty. Especially if you’re not going to be particular. But isn’t there danger of your devotion to your father leading you too far? A marriage founded on a lie—no matter for what purpose!—mustn’t it degrade a woman—smirch her soul for all time? We have a right to give up the things that belong to ourselves, but not the things that belong to God: our truth, our sincerity, our cleanliness of mind and body; the things that He may one day want of us. It led you into evil once before. Don’t think I’m judging you. I was no better than you. I argued just as you must have done. Something stopped me just in time. That was the only difference between us.”!

The landlady entered unexpectedly with the tea; but he did not rise till Joan turned away, nor did he seem disconcerted. Neither did the landlady. She was an elderly, quiet-eyed woman, and had served more than one generation of young people with their teas. “You won’t be able to indulge in all your mad schemes,” he laughed, “but there’ll be enough to help on a few. And you will be among friends. Arthur told me he had explained it to you and that you had agreed.”

Of course she would go to Hell. As a special kindness some generous relative had, on Joan’s seventh birthday, given her an edition of Dante’s “Inferno,” with illustrations by Doré. From it she was able to form some notion of what her eternity was likely to be. And God all the while up in His Heaven, surrounded by that glorious band of praise-trumpeting angels, watching her out of the corner of His eye. Her courage saved her from despair. Defiance came to her aid. Let Him send her to Hell! She was not going to pray to Him and make up to Him. He was a wicked God. Yes, He was: a cruel, wicked God. And one night she told Him so to His face. “But are you sure it’s your particular duty?” suggested Joan. “I’m told you’ve become a household word both in Germany and France. If we really are out to end war and establish the brotherhood of nations, the work you are doing is of more importance than even the killing of Germans. It isn’t as if there wouldn’t be enough without you.” “It’s you women that make war,” he continued. “Oh, I don’t mean that you do it on purpose, but it’s in your blood. It comes from the days when to live it was needful to kill. When a man who was swift and strong to kill was the only thing that could save a woman and her brood. Every other man that crept towards them through the grass was an enemy, and her only hope was that her man might kill him, while she watched and waited. And later came the tribe; and instead of the one man creeping through the grass, the everlasting warfare was against all other tribes. So you loved only the men ever ready and willing to fight, lest you and your children should be carried into slavery: then it was the only way. You brought up your boys to be fighters. You told them stories of their gallant sires. You sang to them the songs of battle: the glory of killing and of conquering. You have never unlearnt the lesson. Man has learnt comradeship—would have travelled further but for you. But woman is still primitive. She would still have her man the hater and the killer. To the woman the world has never changed.”