Mrs. Phillips was sitting up in an easy chair near the heavily-curtained windows when Joan arrived. It was a pleasant little house in the old part of the town, and looked out upon the harbour. She was startlingly thin by comparison with what she had been; but her face was still painted. Phillips would run down by the afternoon train whenever he could get away. She never knew when he was coming, so she explained; and she could not bear the idea of his finding her “old and ugly.” She had fought against his wish that she should go into a nursing home; and Joan, who in the course of her work upon the Nursing Times had acquired some knowledge of them as a whole, was inclined to agree with her. She was quite comfortable where she was. The landlady, according to her account, was a dear. She had sent the nurse out for a walk on getting Joan’s wire, so that they could have a cosy chat. She didn’t really want much attendance. It was her heart. It got feeble now and then, and she had to keep very still; that was all. Joan told how her father had suffered for years from much the same complaint. So long as you were careful there was no danger. She must take things easily and not excite herself. Joan felt relieved—she hardly knew why—that he bore the test. It was a well-built, athletic frame, and he had gone to a good tailor. He looked taller in them; and the strong, clean-shaven face less rugged.!

She reached home in the evening. The Phillips’s old rooms had been twice let since Christmas, but were now again empty. The McKean with his silent ways and his everlasting pipe had gone to America to superintend the production of one of his plays. The house gave her the feeling of being haunted. She had her dinner brought up to her and prepared for a long evening’s work; but found herself unable to think—except on the one subject that she wanted to put off thinking about. To her relief the last post brought her a letter from Arthur. He had been called to Lisbon to look after a contract, and would be away for a fortnight. Her father was not as well as he had been. “No,” Joan admitted. “I went to Rodean at Brighton when I was ten years old, and so escaped it. Nor were you,” she added with a smile, “judging from your accent.”

It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. “I passed old ‘Bubble and Squeak,’ just now, spouting away to three men and a dog outside the World’s End. I expect he’ll turn up,” thought Miss Ensor. She laid for four, leaving space for more if need be. “I call it the ‘Cadger’s Arms,’” she explained, turning to Joan. “We bring our own victuals, and Mary cooks them for us and waits on us; and the more of us the merrier. You look forward to your Sunday evening parties, don’t you?” she asked of Mary. “It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh.