'If this is true,' said the Abate, 'arise, and bid the lady Julia attend me.' This command increased the confusion of madame, who had no doubt that her detention had proved fatal to Julia. At length she was suffered to depart, and to her infinite joy found Julia in her own room. Her intention of escaping had yielded, immediately after the departure of madame, to the fear of being discovered by the marquis's people. This fear had been confirmed by the report of Cornelia, who informed her, that at that time several horsemen were waiting at the gates for the return of their companions. This was a dreadful circumstance to Julia, who perceived it was utterly impossible to quit the monastery, without rushing upon certain destruction. She was lamenting her destiny, when madame recited the particulars of the late interview, and delivered the summons of the Abate.,
Just as they were beginning to get warm they heard two or three loud knocks at the door. It was the ogre who had come home. His wife immediately made the children hide under the bed, and went to open the door. The ogre first asked if his supper was ready, and if she had drawn the wine, and with that he sat down to his meal. The mutton was all but raw, but he liked it all the better for that. He sniffed right and left, saying that he smelt fresh meat. "It must be the calf I have just skinned," said his wife. "I tell you, I smell fresh meat," replied the ogre, giving an angry glance at his wife; "there is something here I do not understand." With these words, he rose from the table and went straight towards the bed. "Ah!" he exclaimed, "so this is the way in which you would deceive me, you wretched woman! I do not know what hinders me from eating you also! It is well for you that you are such an old creature! But here is some game, which comes in handy, and will serve to feast three of my ogre friends, who are soon coming to pay me a visit." He dragged the children from under the bed, one after the other. They fell upon their knees, begging for mercy, but they had to deal with the most cruel of all the ogres, and who, far from feeling pity for them, devoured them already with his eyes, and said to his wife that they would be dainty bits, when she had made a good sauce for them. He went and took up a large knife, and as he came towards the children again, he whetted it on a long stone that he held in his left hand. He had already seized one of them, when his wife said to him, "Why are you doing that at this hour of night? Will it not be time enough to-morrow?" "Hold your peace," replied the ogre. "They will be the more tender." "But you have already too much food," continued his wife. "Here are a calf, two sheep, and half a pig." "You are right," said the ogre, "give them a good supper, that they may keep plump, and then put them to bed." The good woman was rejoiced, and brought them plenty of supper; but they could not eat, they were so overcome with fright. As for the ogre, he seated himself to drink again, delighted to think he had such a treat in store for his friends. He drained a dozen goblets more than usual, which made him feel sleepy and heavy, and obliged him to go to bed.,
Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers..
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