“I was just wondering,” she went on. “It was a pity, wasn’t it? I was silly and began to cry.” Joan and the Singletons were the last to go. They promised to show Mr. Halliday a short cut to his hotel in Holborn.!

“Well, you see, dear,” explained the little old lady, “he gave up things. He could have ridden in his carriage”—she was quoting, it seemed, the words of the Carlyles’ old servant—“if he’d written the sort of lies that people pay for being told, instead of throwing the truth at their head.” Joan had promised to go down on the Friday; but finding, on the Thursday morning, that it would be difficult, decided to run down that afternoon instead. She thought at first of sending a wire. But in Mrs. Phillips’s state of health, telegrams were perhaps to be avoided. It could make no difference. The front door of the little house was standing half open. She called down the kitchen stairs to the landlady, but received no answer. The woman had probably run out on some short errand. She went up the stairs softly. The bedroom door, she knew, would be open. Mrs. Phillips had a feeling against being “shut off,” as she called it. She meant to tap lightly and walk straight in, as usual. But what she saw through the opening caused her to pause. Mrs. Phillips was sitting up in bed with her box of cosmetics in front of her. She was sensitive of anyone seeing her make-up; and Joan, knowing this, drew back a step. But for some reason, she couldn’t help watching. Mrs. Phillips dipped a brush into one of the compartments and then remained with it in her hand, as if hesitating. Suddenly she stuck out her tongue and passed the brush over it. At least, so it seemed to Joan. It was only a side view of Mrs. Phillips’s face that she was obtaining, and she may have been mistaken. It might have been the lips. The woman gave a little gasp and sat still for a moment. Then, putting away the brush, she closed the box and slipped it under the pillow.

The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.” They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. In a noisy, flaring street, a thin-clad woman passed her, carrying a netted bag showing two loaves. In a flash, it came to her what it must mean to the poor; this daily bread that in comfortable homes had come to be regarded as a thing like water; not to be considered, to be used without stint, wasted, thrown about. Borne by those feeble, knotted hands, Joan saw it revealed as something holy: hallowed by labour; sanctified by suffering, by sacrifice; worshipped with fear and prayer.