The other visitor meanwhile turned to Fleda. "What is Mrs. Gereth going to do?" Mrs. Gereth confessed to the fact of danger with a cynicism that surprised the girl. "By calculating, by choosing my time. I was quiet, and I was quick. I manœuvred; then at the last rushed!" Fleda drew a long breath: she saw in the poor woman something much better than sophistical ease, a crude elation that was a comparatively simple state to deal with. Her elation, it was true, was not so much from what she had done as from the way she had done it—by as brilliant a stroke as any commemorated in the annals of crime. "I succeeded because I had thought it all out and left nothing to chance: the whole process was organized in advance, so that the mere carrying it into effect took but a few hours. It was largely a matter of money: oh, I was horribly extravagant—I had to turn on so many people. But they were all to be had—a little army of workers, the packers, the porters, the helpers of every sort, the men with the mighty vans. It was a question of arranging in Tottenham Court Road and of paying the price. I haven't paid it yet; there'll be a horrid bill; but at least the thing's done! Expedition pure and simple was the essence of the bargain. 'I can give you two days,' I said; 'I can't give you another second.' They undertook the job, and the two days saw them through. The people came down on a Tuesday morning; they were off on the Thursday. I admit that some of them worked all Wednesday night. I had thought it all out; I stood over them; I showed them how. Yes, I coaxed them, I made love to them. Oh, I was inspired—they found me wonderful. I neither ate nor slept, but I was as calm as I am now. I didn't know what was in me; it was worth finding out. I'm very remarkable, my dear: I lifted tons with my own arms. I'm tired, very, very tired; but there's neither a scratch nor a nick, there isn't a teacup missing." Magnificent both in her exhaustion and in her triumph, Mrs. Gereth sank on the sofa again, the sweep of her eyes a rich synthesis and the restless friction of her hands a clear betrayal. "Upon my word," she laughed, "they really look better here!"!

"I'm only prepared for the worst. The Brigstocks will simply send any telegram on." "I shall need your company," said Mrs. Gereth. Fleda wondered an instant if this were not practically a demand for penal submission—for a surrender that, in its complete humility, would be a long expiation. But there was none of the latent chill of the vindictive in the way Mrs. Gereth pursued: "We can always, as time goes on, talk of them together."

"No. He told me nothing but the great gawk of a fact. I saw him but for three minutes." She was silent again, and Fleda, as before some lurid image of this interview, sat without speaking. "Do you wish to appear as if you don't care?" Mrs. Gereth presently demanded. "Everything is different—when I know!" Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"