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"Yes. But I shall never see them." "Maybe," says Betty Corcoran, turning in a genial fashion to Mona and Geoffrey, "ye'd ate a pratie, would ye, now? They're raal nice an' floury. Ye must be hungry, Miss Mona, afther all the work ye've gone through; an' if you an' your gintleman would condescind to the like of my dinner, 'tis ready for ye, an' welcome ye are to it. Do, now!" heartily. "The praties is gran' this year,—praises be for all mercies. Amen." "He is not my enemy. My dear boy, spare me a three-act drama. What has the man done, beyond wearing a few gaudy rings, and some oppressive neckties, that you should hate him as you do? It is unreasonable. And, besides, he is in all probability your cousin. Parkins and Slow declare they can find no flaw in the certificate of his birth; and—is not every man at liberty to claim his own?".

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"Don't let us quarrel," he says, lovingly. And this time she returns his caress very fondly, though she cannot lose sight of the fact that he has committed a social error not to be lightly overlooked. "The boys send it to me. Anything new that comes out, or anything they think will suit my voice, they post to me at once." "No, no; I think not. Come here, Geoffrey; do. It is the queerest thing,—like a riddle. See!" "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not..