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"I have heard of you," says Mona, quietly. Then, pointing towards that part of the wood whither he would go, she says, coldly, "I regret I cannot tell you where this path leads to. Good-morning." "I will not listen," she interrupts, passionately. "I know how you both looked a while ago. I shall never forget it; and to meet again now, with fresh cause for hatred in your hearts, would be——No. There is crime in the very air of to-night." "Now, look here," he says, impressively: "I hope nobody is going to indulge in so much as a covert smile to-day." He glances severely at Nolly, who is already wreathed in smiles. "Because the Æsthetic won't have it. She wouldn't hear of it at any price. We must all be in tense! If you don't understand what that means, Mona, you had better learn at once. You are to be silent, rapt, lifted far above all the vulgar commonplaces of life. You may, if you like, go into a rapture over a colorless pebble, or shed tears of joy above a sickly lily; but avoid ordinary admiration.".
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Conrad
"I hope she isn't in love with you," she says, slowly. "Now come and see my own room," says Mona, going up to Rodney, and, slipping her hand into his in a little trustful fashion that is one of her many, loving ways, she leads him along the hall to a door opposite the kitchen. This she opens, and with conscious pride draws him after her across its threshold. So holding him, she might at this moment have drawn him to the world's end,—wherever that may be! "Do you know by what name I shall always call you in my thoughts?" It seems such a direct running commentary on Mona's supposed ill deed that every one—as by a single impulse—looks up. Nolly and Jack Rodney exchange covert glances. But for the depression that reigns all round, I think these two would have given way to frivolous merriment..
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