"There's the chance, of course, that she may be afraid." "For you, of course—to entreat me to give you up. She thinks me awfully designing—that I've taken some sort of possession of you."!

"Then you think he lies when he tells you that he has recovered his liberty?" "Of course I count the ghosts. It seems to me ghosts count double—for what they were and for what they are. Somehow there were no ghosts at Poynton," Fleda went on. "That was the only fault."

She checked him with a gesture. "Don't tell me what she did!" She had colored up to her eyes, where, as with the effect of a blow in the face, she quickly felt the tears gathering. It was a sudden drop in her great flight, a shock to her attempt to watch over what Mona was entitled to. While she had been straining her very soul in this attempt, the object of her magnanimity had been pronouncing her "not honest." She took it all in, however, and after an instant was able to speak with a smile. She would not have been surprised to learn, indeed, that her smile was strange. "You had said a while ago that your mother and I quarreled about you. It's much more true that you and Mona have quarreled about me." Fleda had awaited his rejoinder in deep suspense; such was her imagination of the possibility of his having, as she tacitly phrased it, let himself go on paper that when it arrived she was at first almost afraid to open it. There was indeed a distinct danger, for if he should take it into his head to write her love-letters the whole chance of aiding him would drop: she would have to return them, she would have to decline all further communication with him: it would be quite the end of the business. This imagination of Fleda's was a faculty that easily embraced all the heights and depths and extremities of things; that made a single mouthful, in particular, of any tragic or desperate necessity. She was perhaps at first just a trifle disappointed not to find in the note in question a syllable that strayed from the text; but the next moment she had risen to a point of view from which it presented itself as a production almost inspired in its simplicity. It was simple even for Owen, and she wondered what had given him the cue to be more so than usual. Then she saw how natures that are right just do the things that are right. He wasn't clever—his manner of writing showed it; but the cleverest man in England couldn't have had more the instinct that, under the circumstances, was the supremely happy one, the instinct of giving her something that would do beautifully to be shown to Mrs. Gereth. This was a kind of divination, for naturally he couldn't know the line Mrs. Gereth was taking. It was furthermore explained—and that was the most touching part of all—by his wish that she herself should notice how awfully well he was behaving. His very bareness called her attention to his virtue; and these were the exact fruits of her beautiful and terrible admonition. He was cleaving to Mona; he was doing his duty; he was making tremendously sure he should be without reproach. Blanched and bleak, Mrs. Gereth looked at her. "What sort of an obligation do you call that? No such obligation exists for an hour between any man and any woman who have hatred on one side. He had ended by hating her, and now he hates her more than ever."