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“Well, now, is that so? It sounds to me like a furrin word,” returned Mrs. Wopp, who admired Mrs. Mifsud’s polished utterances, while by no means undervaluing her own rhetorical gifts. “I am wartchin’, Mar,” replied Moses, “But Josh ’pears to be worryin’ ’bout somethin’. He’s chewin’ his bit an’ breakin’ inter a run-like every minute.” “Let me go, please!” he pleaded. “There’s a little girl, our refugee, over there, fainted, I think, perhaps—dead.”.
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Conrad
S Billy Bennett wheeled around the corner he saw his mother in the doorway. Also he saw Jean Hammond across the street speaking with Bess Carter,—the Queen of Sheba, the children called her, she was so large and dark and handsome, and had such a royal way, like a sure ’nough queen, one said. Though why children who had never been out of Vine County should know so much about queens no one thought to ask. Visitors! He saw them through the window. Every step was growing more painful,—he must get to his room. The space from the woodshed roof to the tower room, before so easily surmounted by a swinging jump, looked now as high and far as Mount Whitney. Back to the window he turned. The firelight was dancing on the walls. Sister Edith was talking gayly to neighbors who were standing near the door, and May Nell was snuggled beside his mother on the couch, the great yellow cat, or a part of him, sprawling on her small lap. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. CHAPTER V.—A DANCE IN THE CEDAR HILLS..
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