“We must help her,” she answered somewhat lamely. “She’s anxious to learn, I know.” She ended by rising abruptly and wishing them good-night. Her outburst had silenced Joan’s impish drummer, for the time. He appeared to be nervous and depressed, but bucked up again on the way to the bus. Greyson walked with her as usual. They took the long way round by the outer circle.!

They talked for a time about domestic matters. Joan had established herself in furnished rooms in a quiet street of pleasant Georgian houses just behind the Abbey; a member of Parliament and his wife occupied the lower floors, the landlord, a retired butler, and his wife, an excellent cook, confining themselves to the basement and the attics. The remaining floor was tenanted by a shy young man—a poet, so the landlady thought, but was not sure. Anyhow he had long hair, lived with a pipe in his mouth, and burned his lamp long into the night. Joan had omitted to ask his name. She made a note to do so. “Yes,” he answered. “Marvellously like her as she used to be: except for just one thing. Perhaps that will come to you later. I thought, for the moment, as you stood there by the door . . . ” He did not finish the sentence.

Joan hadn’t: except once on the stairs when, to avoid having to pass her, he had gone down again and out into the street. From the doorstep she had caught sight of his disappearing coat-tails round the corner. Yielding to impishness, she had run after him, and his expression of blank horror when, glancing over his shoulder, he found her walking abstractedly three yards behind him, had gladdened all her evening. Miss Ensor turned to her. “Oh, you talk to him,” she urged. “Here, he’s lost his job again, and is losing his girl: all because of his silly politics. Tell him he’s got to have sense and stop it.” It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.