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“That’s the reason. She says a boy will spoil the part; won’t get the shivers like she will. She thinks a minstrel can’t—can’t minstrelize properly without the shivers.” “Oh, Betty, you got ole man Noer stuck in the shade. His ark never turned out sich a fine camel as yourn, I bet,” cried Moses gleefully as he proceeded to sell tickets and to admit an astonishingly large number of imaginary people into the circus grounds. “Ay, ay, sir,” came this time from two boys who had charge of some logs lashed together and crossed and recrossed by a hash-like lot of refuse lumber, and moored with a dog chain..

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“Not a bit!” His words were strangely impatient. “I’ve got to find her!” He started past them. “Why, I wonder? She used to watch us at it and laugh.” When the program was over Moses noticed enviously that Betty was so close to the orchestra that her ear was almost in the trombone. Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions..