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She understands, indeed, that Sir Launcelot was a very naughty young man, who should not have been received in respectable houses,—especially as he had no money to speak of,—and that Sir Modred and Sir Gawain, had they lived in this critical age, would undoubtedly have been pronounced bad form and expelled from decent clubs. And, knowing this much, she takes it for granted that the stealing of a will or more would be quite in their line: hence her speech. "No. Of course I remember you now," says Mona, taking all this nonsense as quite bona fide sense in a maddeningly fascinating fashion. "How unkind I have been! But I was listening to the music, not to our introduction, when Sir Nicholas brought you up to me, and—and that is my only excuse." Then, sweetly, "You love music?" "Here, miss,—in the dairy? Law, Miss Mona! don't".

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"Well," said Old Man, "you have chosen; there will be an end to them." As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure. "I didn't mean that, and I never hint," exclaims Mona, angrily; "and if you insist on the truth, if I must explain to you what I particularly desire to keep secret, you——" "Very good," says Mona, indifferently, after which the woman, having straightened a cushion or two, takes her departure..