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"Oh, stay?" she says, faintly, detaining him both by word and gesture. Mona is looking up to it now, with a rapt, pensive gaze, her great blue eyes gleaming beneath its light. She is sitting upon the side of the hill, with her hands clasped about her knees, a thoughtful expression on her lovely face. At each side of her, sitting bolt upright on their huge haunches, are the dogs, as though bent on guarding her against all evil. She waited. They did not come out. She stood near the door. Her stone club was ready. She grew impatient. She wondered what had gone wrong with her plans. The two friends were silent. She looked at the smoke hole, but it was closed securely. She lifted the door covering to see if the friends within had died. They sat perfectly still. She entered to look more closely, and as soon as she was fairly inside Cold Maker and Broken Bow rushed out and dropped the door covering. Before she could move they piled great heaps of stone in the door-way. The bears growled. She called for help. Cold Maker and Broken Bow went on down the river..

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"So there is; something specially awful," responds Nolly, pensively. "She frightens me to death. She has an 'eye like a gimlet.' When I call to mind the day my father inveigled me into the library and sort of told me I couldn't do better than go in for Lilias, my knees give way beneath me and smite each other with fear. I shudder to think what part in her mediæval programme would have been allotted to me." It has an octagon chamber of the most uncomfortable description, but no doubt artistic, and above all praise, according to some lights. To outsiders it presents a curious appearance, and might by the unlearned be regarded as a jumble of all ages, a make-up of objectionable bits from different centuries; but to Lady Lilias and her sympathizers it is simply perfection. "Ah," said the young man, "then your travels are ended. You need go no farther. Close by here is our piskun. Many buffalo have been run in, and our parfleches are filled with dried meat. Wait a little; I will go and bring you some," and he went out. Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air..