After being first a notary’s clerk, then in business, then in the customs, and a tax collector, and having even applied for a position in the administration of woods and forests, he had at last, when he was thirty-six years old, by a divine inspiration, found his vocation: registrature! and he displayed such a high ability that an inspector had offered him his daughter and his influence. It was a pretty tangle, a job for wreckers, not boat-builders. There are two high tides every twenty-four hours, and at every high tide, night and day, for a week, there were two steam tugs pulling and hauling on the Snark. There she was, stuck, fallen between the ways and standing on her stern. Next, and while still in that predicament, we started to use the gears and castings made in the local foundry whereby power was conveyed from the engine to the windlass. It was the first time we ever tried to use that windlass. The castings had flaws; they shattered asunder, the gears ground together, and the windlass was out of commission. Following upon that, the seventy-horse-power engine went out of commission. This engine came from New York; so did its bed-plate; there was a flaw in the bed-plate; there were a lot of flaws in the bed-plate; and the seventy-horse-power engine broke away from its shattered foundations, reared up in the air, smashed all connections and fastenings, and fell over on its side. And the Snark continued to stick between the spread ways, and the two tugs continued to haul vainly upon her.!

The camera cannot do justice to the House of the Sun. The sublimated chemistry of photography may not lie, but it certainly does not tell all the truth. The Koolau Gap may be faithfully reproduced, just as it impinged on the retina of the camera, yet in the resulting picture the gigantic scale of things would be missing. Those walls that seem several hundred feet in height are almost as many thousand; that entering wedge of cloud is a mile and a half wide in the gap itself, while beyond the gap it is a veritable ocean; and that foreground of cinder-cone and volcanic ash, mushy and colourless in appearance, is in truth gorgeous-hued in brick-red, terra-cotta rose, yellow ochre, and purplish black. Also, words are a vain thing and drive to despair. To say that a crater-wall is two thousand feet high is to say just precisely that it is two thousand feet high; but there is a vast deal more to that crater-wall than a mere statistic. The sun is ninety-three millions of miles distant, but to mortal conception the adjoining county is farther away. This frailty of the human brain is hard on the sun. It is likewise hard on the House of the Sun. Haleakala has a message of beauty and wonder for the human soul that cannot be delivered by proxy. Kolikoli is six hours from Kahului; Kahului is a night’s run from Honolulu; Honolulu is six days from San Francisco; and there you are. “But suppose this: your cabin-boy could run your engine, could repair it when out of order. Suppose he could take his turn at the wheel, could do any carpenter or machinist work. Suppose he is strong, healthy, and willing to work. Would you not rather have him than a kid that gets seasick and can’t do anything but wash dishes?” It was letters of this sort that I hated to decline. The writer of it, self-taught in English, had been only two years in the United States, and, as he said, “I am not wishing to go with you to earn my living, but I wish to learn and see.” At the time of writing to me he was a designer for one of the big motor manufacturing companies; he had been to sea quite a bit, and had been used all his life to the handling of small boats.

Felicite reached the second floor. Already at the threshold, she caught sight of Virginia lying on her back, with clasped hands, her mouth open and her head thrown back, beneath a black crucifix inclined toward her, and stiff curtains which were less white than her face. Madame Aubain lay at the foot of the couch, clasping it with her arms and uttering groans of agony. The Mother Superior was standing on the right side of the bed. The three candles on the bureau made red blurs, and the windows were dimmed by the fog outside. The nuns carried Madame Aubain from the room. And that is how it came about that I tackled surf-riding. And now that I have tackled it, more than ever do I hold it to be a royal sport. But first let me explain the physics of it. A wave is a communicated agitation. The water that composes the body of a wave does not move. If it did, when a stone is thrown into a pond and the ripples spread away in an ever widening circle, there would appear at the centre an ever increasing hole. No, the water that composes the body of a wave is stationary. Thus, you may watch a particular portion of the ocean’s surface and you will see the same water rise and fall a thousand times to the agitation communicated by a thousand successive waves. Now imagine this communicated agitation moving shoreward. As the bottom shoals, the lower portion of the wave strikes land first and is stopped. But water is fluid, and the upper portion has not struck anything, wherefore it keeps on communicating its agitation, keeps on going. And when the top of the wave keeps on going, while the bottom of it lags behind, something is bound to happen. The bottom of the wave drops out from under and the top of the wave falls over, forward, and down, curling and cresting and roaring as it does so. It is the bottom of a wave striking against the top of the land that is the cause of all surfs. We sat at table on the lotus-eating veranda, served by the butterfly maids, and ate strange foods and partook of a nectar called poi. But the dream threatened to dissolve. It shimmered and trembled like an iridescent bubble about to break. I was just glancing out at the green grass and stately trees and blossoms of hibiscus, when suddenly I felt the table move. The table, and the Madonna across from me, and the veranda of the lotus-eaters, the scarlet hibiscus, the greensward and the trees—all lifted and tilted before my eyes, and heaved and sank down into the trough of a monstrous sea. I gripped my chair convulsively and held on. I had a feeling that I was holding on to the dream as well as the chair. I should not have been surprised had the sea rushed in and drowned all that fairyland and had I found myself at the wheel of the Snark just looking up casually from the study of logarithms. But the dream persisted. I looked covertly at the Madonna and her husband. They evidenced no perturbation. The dishes had not moved upon the table. The hibiscus and trees and grass were still there. Nothing had changed. I partook of more nectar, and the dream was more real than ever.