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"You are right: I see it now," says Geoffrey, whitening a little, "Warden wrote that paper, no doubt," glancing at the dirty bit of writing that has led to the discovery. "He evidently had his knowledge from old Elspeth, who must have known of this secret hiding-place from my great-grandfather. My father, I am convinced, knew nothing of it. Here, on the night of my grandfather's death, the old woman must have hidden the will, and here it has remained ever since until to-night. Yet, after all, this is mere supposition," says Geoffrey. "We are taking for granted what may prove a myth. The will may never been placed here, and he himself——" Slowly he draws from his pocket a paper, folded neatly, that looks like some old parchment. Mona draws her breath quickly, and turns first crimson with emotion, then pale as death. Opening it at a certain page, he points out to her the signature of George Rodney, the old baronet. Then they do the grotto, and then Lady Lilias once more leads the way indoors..

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Nor motion, I might almost say, "You never saw an angel, so you can't say," says Mona, still sadly severe. "And I am unhappy. How will your mother, Mrs. Rodney, like your marrying me, when you might marry so many other people,—that Miss Mansergh, for instance?" "Thief!" echoes Paul in a terrible tone. His whole face quivers, A murderous light creeps into his eyes. "Oh, no," says Mona, shocked at this interpretation of her manner. "I did not mean all that; only I really did not require it; at least"—truthfully—"not much. And, besides, a song is not like a gold chain; and you are quite different from them; and besides, again,"—growing slightly confused, yet with a last remnant of courage,—"there is no reason why you should give me anything. Shall I"—hurriedly—"sing something else for you?".