In her bewildered horror she tried to think. "Have they come back?" "I'm very, very tired." Mrs. Gereth's slow head-shake was tragic. "I couldn't do it again."!

Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "They may not have known of my leaving." Fleda wondered afresh; it struck her as scarcely supposable that some sign shouldn't have flashed from Poynton to London. If the storm was taking this term of silence to gather, even in Mona's breast, it would probably discharge itself in some startling form. The great hush of every one concerned was strange; but when she pressed Mrs. Gereth for some explanation of it, that lady only replied, with her brave irony: "Oh, I took their breath away!" She had no illusions, however; she was still prepared to fight. What indeed was her spoliation of Poynton but the first engagement of a campaign?

But Fleda went luminously on; she once more enjoyed her great command of her subject: "I think that when you came to see me at Maggie's you saw too many things, you had too many ideas." What did he want her to understand? He seemed unable to bring it out, and this understanding was moreover exactly what she wished not to arrive at. Bewildered as she was, she had already taken in as much as she should know what to do with; the blood also was rushing into her face. He liked her—it was stupefying—more than he really ought: that was what was the matter with him and what he desired her to assimilate; so that she was suddenly as frightened as some thoughtless girl who finds herself the object of an overture from a married man. Fleda wondered, but she also smiled. "To-night—to-morrow?"