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There is a pause. Mona says nothing, but taking out the flower that has lain upon her bosom all night, pulls it to pieces petal by petal. And this is unlike Mona, because flowers are dear to her as sunshine is to them.,

Once again they are all at the Towers. Doatie and her brother—who had returned to their own home during March and April—have now come back again to Lady Rodney, who is ever anxious to welcome these two with open arms. It is to be a last visit from Doatie as a "graceful maiden with a gentle brow," as Mary Howitt would certainly have called her, next month having been decided upon as the most fitting for transforming Dorothy Darling into Dorothy Lady Rodney. In this thought both she and her betrothed are perfectly happy.,

For this master of the Towers (so the story ran) Elspeth, in her younger days, had borne a love too deep for words, when she herself was soft and rosy-cheeked, with a heart as tender and romantic as her eyes were blue, and when her lips, were for all the world like "cherries ripe.",

"Is it worth so much thought?" he says, bitterly. "It surely will not injure you fatally to lay your hand in mine for one instant."

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The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else.,

"I am very ignorant I know," says Mrs. Geoffrey, with her sunny smile, "but I think I should prefer a snowdrop to a thistle.",

Mona, though still angered, is yet somewhat softened by this speech, as might any woman. Her color fades again, and heavy tears, rising rapidly, quench the fire that only a moment since made her large eyes dark and passionate.,

"You are all wet. Do go home and change your clothes," says Mona, who is still sitting on the grass with her gown spread carefully around her. "Or perhaps"-reluctantly—"it will be better for you to go to the farm, where Bridget will look after you."