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"Yes, but he always doffed it; and he never put one on like ordinary mortals, he always donned it. You can't think what a difference it makes." "Yes, yes; that poor, poor woman! I cannot get her face out of my head. How forlorn! how hopeless! She has lost all she cared for; there is nothing to fall back upon. She loved him; and to have him so cruelly murdered for no crime, and to know that he will never again come in the door, or sit by her hearth, or light his pipe by her fire,—oh, it is horrible! It is enough to kill her!" says Mona, somewhat disconnectedly. "I will do my best," says Mona, earnestly; "but if I fail,—if after all my efforts your mother still refuses to love me, how will it be then?".
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Conrad
Again she calls to him from within. "Do ye mane to inform on us?" says Ryan, slowly, who is "a man of a villanous countenance," laying his hand impulsively upon his gun, and glancing at her and Rodney alternately with murder in his eyes. It is a critical moment. Rodney, putting out his hand, tries to draw her behind him. "Don't let us quarrel," he says, lovingly. And this time she returns his caress very fondly, though she cannot lose sight of the fact that he has committed a social error not to be lightly overlooked. "Thomas has plainly taken to hieroglyphics,—if it be Thomas," he says. "I can fancy his pressing his young woman's right hand, but her 'top corner' baffles me. If I were Thomas, I shouldn't hanker after a girl with a 'top corner;' but there is no accounting for tastes. It really is curious, though, isn't it?" As he speaks he looks at Mona; but Mona, though seemingly returning his gaze, is for the first time in her life absolutely unmindful of his presence..
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