“It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh. “You can’t do it,” she concluded, “unless you are prepared to keep half the world’s literature away from the children, scrap half your music, edit your museums and your picture galleries; bowdlerize your Old Testament and rewrite your histories. And then you’ll have to be careful for twenty-four hours a day that they never see a dog-fight.”!

“Why do you come?” asked Joan. “I thought perhaps you hadn’t from your tone,” explained Madge.

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. But it was her Gethsemane: the best that Fate had been able to do for her. It was here that her choice would be made. She felt that. “Then it’s settled,” he said. “We must save her.”