“I’ll give him your message,” said Joan. “But I don’t see him exchanging his principles even for your support. I admit it’s important.” Joan bore the germ of worry in her breast as she crossed the Gray’s Inn Garden. It was a hard law, that of the world: knowing only winners and losers. Of course, the woman was to be pitied. No one could feel more sorry for her than Joan herself. But what had Madge exactly meant by those words: that she could “see her doing something really big,” if she thought it would help him? There was no doubt about her affection for him. It was almost dog-like. And the child, also! There must be something quite exceptional about him to have won the devotion of two such opposite beings. Especially Hilda. It would be hard to imagine any lengths to which Hilda’s blind idolatry would not lead her.!

A pile of correspondence was awaiting her and, standing by the desk, she began to open and read it. Suddenly she paused, conscious that someone had entered the room and, turning, she saw Hilda. She must have left the door ajar, for she had heard no sound. The child closed the door noiselessly and came across, holding out a letter. “I shall ask you to marry me when your hair is white,” he said. “May I?”

“Oh, we can all persuade ourselves that we are the Heaven-ordained dictator of the human race,” he answered. “Love of power is at the bottom of it. Why do our Rockefellers and our Carnegies condemn themselves to the existence of galley slaves, ruining their digestions so that they never can enjoy a square meal. It isn’t the money; it’s the trouble of their lives how to get rid of that. It is the notoriety, the power that they are out for. In Carleton’s case, it is to feel himself the power behind the throne; to know that he can make and unmake statesmen; has the keys of peace and war in his pocket; is able to exclaim: Public opinion? It is I.” Joan dropped a note into Phillips’s letter-box on her return home, saying briefly that she wished to see him; and he sent up answer asking her if she would come to the gallery that evening, and meet him after his speech, which would be immediately following the dinner hour. “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.”