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Mrs. Newman and Nell waited after the show for the unique trio that had occupied the box but they were nowhere to be seen. Howard Eliot had whisked his companions off under a pretext of urgent business.,

As Mrs. Wopp was preparing for bed that night, she recalled the sensation the sight of her reckless offspring had given her.,

“Now Mosey, you be ticket man at the gate an’ I’ll hev the circus all ready,” cried Betty bounding into the house in the shortest possible time after the departure of the elderly merrymakers.,

May Nell needed no second request to “catch the racket and bring it in.” She flew downstairs, and presently up again, arriving with a breathless story. “O Billy, the circus train’s wrecked! There won’t be any circus next week! Some of the animals are all dead, and the fire burned some— Oh, I can hear them scream now, can’t you?” She put her hands over her face and shivered.

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“Surely; but—”,

Peter Stolway carried a large paper bag, and as the carrots fell with resounding thuds into the bin, they seemed like inebriated question marks, so ungainly and irregular were their shapes. One giddy carrot teetered on the edge as though about to entertain the onlookers by an acrobatic performance.,

“This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.”,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.