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So at her bidding he repeats the lines slowly, and in his best manner, which is very good:— "Now come and see my own room," says Mona, going up to Rodney, and, slipping her hand into his in a little trustful fashion that is one of her many, loving ways, she leads him along the hall to a door opposite the kitchen. This she opens, and with conscious pride draws him after her across its threshold. So holding him, she might at this moment have drawn him to the world's end,—wherever that may be! When he has told her a really good story.—quite true, and all about the æsthetic, Lady Lilias, who has declared her intention of calling this afternoon, and against whose wearing society he is strenuously warning her,—and when she has shown no appreciation of the wit contained therein, he knows there is something—as he himself describes it—"rotten in the state of Denmark.".
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But Mona will not be entreated; sweetly, but firmly, she declines to alter the sobriquet given her so long ago now. With much gentleness she tells Lady Rodney that she loves the name; that it is dearer to her than any other could ever be; that to be Mrs. Geoffrey is the utmost height of her very heighest ambition; and to change it now would only cause her pain and a vague sense of loss. "Well, just wait till I tuck up the tail of my gown," says Mrs. Geoffrey, airily flinging her pale-blue skirt over her white bare arm. "To Bantry," says Mona, growing white again,—"to-night! Oh, do you want to kill me and yourself?" "I never have such moments," interrupts he moodily..
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