It was a scene of vast bleakness and desolation, stern, forbidding, fascinating. We gazed down upon a place of fire and earthquake. The tie-ribs of earth lay bare before us. It was a workshop of nature still cluttered with the raw beginnings of world-making. Here and there great dikes of primordial rock had thrust themselves up from the bowels of earth, straight through the molten surface-ferment that had evidently cooled only the other day. It was all unreal and unbelievable. Looking upward, far above us (in reality beneath us) floated the cloud-battle of Ukiukiu and Naulu. And higher up the slope of the seeming abyss, above the cloud-battle, in the air and sky, hung the islands of Lanai and Molokai. Across the crater, to the south-east, still apparently looking upward, we saw ascending, first, the turquoise sea, then the white surf-line of the shore of Hawaii; above that the belt of trade-clouds, and next, eighty miles away, rearing their stupendous hulks out of the azure sky, tipped with snow, wreathed with cloud, trembling like a mirage, the peaks of Mauna Kea and Mauna Loa hung poised on the wall of heaven. The camera cannot do justice to the House of the Sun. The sublimated chemistry of photography may not lie, but it certainly does not tell all the truth. The Koolau Gap may be faithfully reproduced, just as it impinged on the retina of the camera, yet in the resulting picture the gigantic scale of things would be missing. Those walls that seem several hundred feet in height are almost as many thousand; that entering wedge of cloud is a mile and a half wide in the gap itself, while beyond the gap it is a veritable ocean; and that foreground of cinder-cone and volcanic ash, mushy and colourless in appearance, is in truth gorgeous-hued in brick-red, terra-cotta rose, yellow ochre, and purplish black. Also, words are a vain thing and drive to despair. To say that a crater-wall is two thousand feet high is to say just precisely that it is two thousand feet high; but there is a vast deal more to that crater-wall than a mere statistic. The sun is ninety-three millions of miles distant, but to mortal conception the adjoining county is farther away. This frailty of the human brain is hard on the sun. It is likewise hard on the House of the Sun. Haleakala has a message of beauty and wonder for the human soul that cannot be delivered by proxy. Kolikoli is six hours from Kahului; Kahului is a night’s run from Honolulu; Honolulu is six days from San Francisco; and there you are.!

A little later, she took Loulou and holding him up to Felicite: The Snark is to be sailed. There will be a gasolene engine on board, but it will be used only in case of emergency, such as in bad water among reefs and shoals, where a sudden calm in a swift current leaves a sailing-boat helpless. The rig of the Snark is to be what is called the “ketch.” The ketch rig is a compromise between the yawl and the schooner. Of late years the yawl rig has proved the best for cruising. The ketch retains the cruising virtues of the yawl, and in addition manages to embrace a few of the sailing virtues of the schooner. The foregoing must be taken with a pinch of salt. It is all theory in my head. I’ve never sailed a ketch, nor even seen one. The theory commends itself to me. Wait till I get out on the ocean, then I’ll be able to tell more about the cruising and sailing qualities of the ketch.

But there are compensations. On Wednesday evening, June 10, I brought up my noon position by dead reckoning to eight P.M. Then I projected the Snark’s course and saw that she would strike Futuna, one of the easternmost of the New Hebrides, a volcanic cone two thousand feet high that rose out of the deep ocean. I altered the course so that the Snark would pass ten miles to the northward. Then I spoke to Wada, the cook, who had the wheel every morning from four to six. “Nothing,” said she. “But to-day is to-day,” my literal mind insists. “I must correct the sun for to-day and not for yesterday.”