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"Mona! Are you crying for me?" says Paul Rodney, as though surprised. "Do not. Your tears hurt me more than this wound that has done me to death." Then he turns his head away again to let his eyes rest on Mona, as though nowhere else can peace or comfort be found. At this moment they come to a high bank, and Geoffrey, having helped Mona to mount it, jumps down at the other side, and holds out his arms to assist her to descend. As she reaches the ground, and while his arms are still round her, she says, with a sudden effort, and without lifting her eyes, "There is very good snipe-shooting here at Christmas.".
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Conrad
"Partly," says Mona. "Not altogether: there was always a faint odor of pipes about Uncle Brian's room that does not belong to this." "Well, you didn't," says Mona. "Are you engaged to her?" "That has nothing to do with it," says Rodney. "The easier one can get to a place the more one puts off going. I knew a fellow once, and he lived all his time in London, and I give you my word he had never seen the Crystal Palace. With whom did you go to Killarney?" After the land had been made, Old Man travelled about on it, making things and fixing up the earth so as to suit him. First, he marked out places where he wished the rivers to run, sometimes making them run smoothly, and again, in some places, putting falls on them. He made the mountains and the prairie, the timber and the small trees and bushes, and sometimes he carried along with him a lot of rocks, from which he built some of the mountains—as the Sweet Grass Hills—which stand out on the prairie by themselves..
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