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The young man spoke to him and asked, "Did you see some weapons lying in the trail?" Nolly is especially and oppressively cheerful. He is blind to the depression that marks Mona and Geoffrey for its own, and quite outdoes himself in geniality and all-round amiability. Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air..
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"Go!" she says, in a choked voice, and with a little passionate sob, pointing to the door. "You have done mischief enough." Her gesture is at once imperious and dignified. Then in a softer voice, that tells of sorrow, and with a deep sigh, "At least," she says, "I believed in your honor!" "And a very good thing, too," puts in Jack, tolerantly: "it won't last, you know, so he may as well have it strong while he is about it." "Is that the girl who spoke to you, Geoffrey, at the tea room door?" asks Mona, with some animation. If she had been nurtured all her life in the fashionable world, she could scarcely have made a more correct speech. Geoffrey is puzzled, nay more, discomfited. Just in this wise would a woman in his own set answer him, did she mean to repel his advances for the moment. He forgets that no tinge of worldliness lurks in Mona's nature, and feels a certain amount of chagrin that she should so reply to him..
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